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Process
The
life of every Windsor chair begins in the form of a tree log.
Straight-grained logs are cut into appropriate lengths and split into
quarters called billets. From these billets I split thin pieces
that will be used for spindles, bows, arms, and crests once they are steamed
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Splitting wood, known as riving, is a particular way of resizing
lumber without cutting the wood's natural grains. This helps maintain
the structural integrity of the wood so that it may be steamed and bent,
and improves the overall life of the finished chair.
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To shape a spindle I first use a drawknife and then a spokeshave
(pictured at right). Billets for the turnings (legs,stretchers,
arm stumps) are made of Maple. I turn each billet on a lathe (left)
to shape out the turning according to a master pattern. Turning each piece
by hand ensures the subtle variations in the finished chair that delight
the eye. |
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The deeply saddled seat of a Windsor chair is carved from a piece of pine
two inches thick. I first
use a gutter adz (above), then a scorp (below),
a compass plane and finally a travisher.
Further shaping and the forming of the "pommel" are done
with a drawknife (below), compass plane and travisher, creating
one of the most comfortable seats in the history of chair making.
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When
all the pieces are in shape and dry, it's time to "leg it up."
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This
is done by drilling a tapered hole all the way through the seat and gluing
and wedging each leg into place.
Once set, it
is nearly impossible to get a leg out of a Windsor chair. In fact, sitting
in the chair actually tightens it up. Weight applied by use only makes
the chair stronger.
What you get
as a result of this process is a chair that will bend and flex as you
lean back in it. Strong yet supple, it is a perfect blend of beauty, strength,
and comfort. |
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©2004 Larry Williams |
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